Preoccupations

Our work (so far) this year

It’s again been an exhilarating experience to teach our first year’s (13 year-olds) their ICT course. The pace of adoption by them of technological developments still surprises: once again, I notice how this year’s cohort is just that much further on than the equivalent year group last year. It’s not just us, the adults, who notice this: where we might think that teenagers swim in all this digital stuff like fish in water, it’s eye-opening to watch only slightly older students being amazed at what 13 year-olds now know. So last month, a year on from when I last posted here about this course, I was feeding back to colleagues whose specialism is not ICT:

Last year, for example, we taught about tabbed browsing, but this year we didn’t need to: our 13 year-olds are experimenting freely with different browsers, wasting no time in downloading and adopting the recently released Google Chrome. They joined the school knowing more than last year’s 4ths about operating systems and several have experience of Linux. They are keen to learn about how they can maintain their personalised experience of computing (by exploiting web apps) when using the school’s networked machines and many were already using iGoogle before joining St Paul’s. One 4th former routinely uses PortableApps and showed others how to do the same. Others know about running Firefox from a memory stick, retaining all their individual settings no matter what PC they are on. There is a wide range of hardware in use and the barrier between desktop machines (hitherto commonly taken to be synonymous with computers) and mobile devices has gone — notebooks, mini-books, smartphones, the iPodTouch, iPhones ... all proving their computing worth in day-to-day life. Location-based services are being widely used on mobile phones; such services are coming soon to browsers (Firefox, Chrome) and operating systems (eg, Windows 7).

Some further context here: a year ago, iGoogle was alien to nearly all our first years; memory sticks were used more or less only as … memory sticks — running apps off of them was a fringe experience; browsers and the exploitable differences between them simply hadn’t the popular prominence they have now. Most interesting in many ways to me is the demand for Open Source software: because of 13 year-old, pupil-led demand we are networking Open Office, running it alongside MS Office. It’s up to the user which product he/she wants to use. I’m also interested in reports from colleagues about 13 and 14 year-old pupils, when asked to create a document or to collaborate, opening web-based apps as a matter of course.

So, the course as it is evolving this year is currently online here. I have no doubt, though, that we are now at a watershed and, as I also summed things up for colleagues, ‘The current course, revised from that of last year, will need fundamental revision for next year in order to keep pace with the changes afoot and the rate of adoption by young teenagers’. In particular, I think we’re now ready to make a fundamental shift towards the creative — and this pleases me a great deal.

They don’t have blogs, or I’d link to them, but my gratitude to the team with whom I co-teach this course (Richard, Andrew, Olly, David) is great: my thanks to them for all their hard work and enthusiasm.

This year has been very busy on a number of other fronts. We took the decision late last academic year to re-design our website and asked Clearleft to undertake the work. As I knew it would prove, it’s been a pleasure to work with Clearleft: we’re somewhere around halfway through the project and I’ve learned a great deal from them — about web-design, for sure (we had fun with affinity diagrams and played with post-its), but also about how good design work probes and challenges a company’s perception of how it’s promoting itself. I recommend the experience.

We’ve also been working a lot with Firefly, the company who write the software that powers both our website and our intranet. Simon and Joe, the founders and developers of Firefly, were pupils at St Paul’s and wrote the first iteration of Firefly whilst studying here. With the great help of Jess and Serena from Headshift, we have worked together, discussing how the interface and capabilities of Firefly might be developed, and this month saw the release of the new product. Thank you, Joe and Simon, for all your work on this. In summary: comments can now be enabled on all pages; we have blogs; the editing interface has been re-worked and made in-line, write-access is on by default and key editing options are immediately visible in hover-over mode; RSS has been made both much more obvious and widely available; the permissions dialogue has been improved and made more transparent; search has been improved both in UI and performance; template documentation is on its way, as is tagging; shared workspaces are available; calendaring now supports iCal; pages are owned by their creators but stewardship of a page is assignable (useful with classes, projects, etc). These are major software improvements for our intranet (which has amassed some 25,000 pages), providing us with something to build on collaboratively (staff and pupils) and develop further.

When we were deliberating the next iteration of our ICT Development Plan, I wanted green computing to be high on the agenda and I’m delighted that we worked with Gavin at AMEE and are now poised to start aggregating our energy data for the school (ie, the whole site) with AMEE. Our building program recognised the importance of sustainability from the outset.

We’ve been in discussion with Google about starting a branded YouTube channel. We filmed most of this year’s talks (see below) and have these and other stuff to go up. All this takes time, of course, but it’s coming.

This year we also began what I sense is necessarily a thoughtful, slow and sensitive engagement with games and gaming. These have a poor standing in schools, yet their cultural influence and their ubiquity in the lives of many younger people (by no means “just” students) is evident and widely reported. Grand Theft Auto originates from Paulines, of course, and it was high time to address the whole “matter”. We founded a society this term, met a couple of times (the first time without anyone, perhaps, realising it was meeting) and grew it out of two influential, important talks (see below). Next term we move the throttle forward and give it some more oomph. Those involved (it’s pretty popular) bought the idea of everyone reading more about games, and we’ll start with Steven Johnson’s Everything Bad is Good for You.

We’ve had a great run of speakers so far this year, with more to come. Last academic year I blogged these talks as we went, but this year things have been too busy for that (along with all the work detailed here, I’ve also switched to commuting daily, which involved decamping mid-term from my school flat and giving some much overdue attention to our own home — and then there was learning to live with First Great Western …). So here’s the run-down …

Kayaking

The internet means you don’t have to convince anyone else that something is a good idea before trying it.
— Scott Bradner, former trustee of the Internet Society (quoted in Here Comes Everybody)

The communications tools broadly adopted in the last decade are the first to fit human social networks well,
and because they are easily modifiable they can be made to fit better over time. — Clay Shirky (Here Comes Everybody, p 158) 

Back before Easter, I was at the ICA for the Eno/Shirky evening. One of the books I then read over the break was Here Comes Everybody. I’ve been meaning for some time to put down a few notes about it here. This has grown to be a long post as I’ve added to it, wanting to get a few things out on the page and, so, clearer in my own mind.

It’s a great book to suggest to friends who are not familiar with the technologies Shirky discusses as it hides its knowledge well — but there are still leads to follow up. The modest ten or so pages of the Bibliography threw up a number of articles I'd either not heard of before or hadn’t visited in a long while. In the former camp, I recommend: Anderson: More Is Different (Science — 1972); R H Coase: The Nature of the Firm (pdf) — a 1937 economics paper; Richard P. Gabriel — Lisp: Good News, Bad News, How to Win Big: worse is better (1991); Alan Page Fiske: Human Sociality. (There’s an online “webliography” here.) And chapters 8–11, covering so many big topics — social capital; three kinds of loss (some solve-a-hard-problem jobs; some social bargains; negative aspects to new freedoms); small world networks; more on social capital; failure (‘open source … is outfailing’ commercial efforts, 245); more on groups (‘every working system is a mix of social and technological factors’, 260) — hit my Amazon Prime account hard. (Incidentally, there’s a Kevin Kelly piece on “more is different”, Zillionics, that appeared earlier this year. See also Kevin Kelly’s The Google Way of Science and Wired’s The Petabyte Age: Because More Isn't Just More — More Is Different.)

Further reading to one side, a number of things discussed in the book particularly interested me straightaway. Firstly, sociality, privacy and exposure online. Leisa recently posted Ambient Exposure, an update (of sorts) to her post of last March, Ambient Intimacy. The titles tell their own story. Early on, Clay writes about ‘how dramatically connected we've become to one another … [how much] information we give off about our selves’. This took me back to Adam Greenfield’s recent talk at the Royal Society (I’ve also been re-reading Everyware). Our love of flocking is being fed handsomely by means of the new tools Clay Shirky discusses so well.

Privacy is always coming up in conversations at school about online life, and what I’m hearing suggests our students are beginning to look at privacy and exposure with growing circumspection. Facebook’s People You May Know functionality has made some sit up and wonder where social software might be taking us. We’re slowly acquiring a stronger sense of how seduction through imagined privacy works (alone in a room, save for screen and keyboard) and a more developed understanding of what it means to write for unseen audiences. Meanwhile, there are things to be unlearned: ‘those of us who grew up with a strong separation between communication and broadcast media … assume that if something is out where we can find it, it must have been written for us. … Now that the cost of posting things in a global medium has collapsed, much of what gets posted on any given day is in public but not for the public’ (90).  In the Bibliography, Clay refers to a post of Danny O’Brien’s — all about register — which is a longtime favourite of mine, too.

Then there was what the book had to say about media and journalism. Simon Waldman, well-placed to pass comment, on chapters 3 and 4:

The chapters most relevant to media/journalism - ‘Everyone is a media outlet’ and ‘Publish first, filter later’ should be required reading for pretty much everyone currently sitting in a newspaper/broadcaster. It’s certainly the best thought through thing I’ve read on this, and the comparison to the decline of the scribes when the printing press came in is really well drawn. 

The summary to Chapter 4 (‘Publish, Then Filter’) runs, ‘The media landscape is transformed, because personal communication and publishing, previously separate functions, now shade into one another. One result is to break the older pattern of professional filtering of the good from the mediocre before publication; now such filtering is increasingly social, and happens after the fact’. ‘Filter-then-publish … rested on a scarcity of media that is a thing of the past. The expansion of social media means the only working system is publish-then-filter’ (98). (Language like this can sound an utopian note that rings on in the head long after the book’s been closed, as if we’d entered a world beyond old constraints. And look!: the Praetorian Guard of elite gatekeepers is no more.)

I was interested, too, to read Shirky’s thoughts about the impact of new technologies on institutions. His application of Ronald Coase’s 1937 paper and, in particular, the idea of the Coasean floor (‘activities … [that] are valuable to someone but too expensive to be taken on in any institutional way’), was very striking: the new tools allow ‘serious, complex work [to be] taken on without institutional direction’ and things can now be achieved by ‘loosely coordinated groups’ which previously ‘lay under the Coasean floor’.

We didn't notice how many things were under that floor because, prior to the current era, the alternative to institutional action was usually no action. (47)

Later in the book (107), he comes back to institutions, taking what is happening to media businesses as not unique but prophetic — for ‘All businesses are media businesses … [as] all businesses rely on the managing of information for two audiences — employees and the world’:

The increase in the power of both individuals and groups, outside traditional organisational structures, is unprecedented. Many institutions we rely on today will not survive this change without significant alteration, and the more an institution or industry relies on information as its core product, the greater and more complete the change will be. The linking of symmetrical participation and amateur production makes this period of change remarkable. Symmetrical participation means that once people have the capacity to receive information, they have the capability to send it as well. Owning a television does not give you the ability to make TV shows, but owning a computer means that you can create as well as receive many kinds of content, from the written word through sound and images. Amateur production, the result of all this new capability, means that the category of "consumer" is now a temporary behaviour rather than a permanent identity.

‘Every new user is a potential creator and consumer’ (106) is reminiscent of Bradley Horowitz in Creators, Synthesizers, and Consumers (2006).

*****

Amongst poets

Adam Foulds came in to school on Thursday and read from The Broken Word (Sunday Times review here, Guardian here). Earlier this term, I read the poem in one sitting: it’s not difficult to do this, but it was, in any case, simply not a poem I wanted to break off from reading. It is very disturbing, not least because of the contrast between the quality of the telling and what it has to tell. Hearing so much of it read affected me greatly and, in winding up the reading, I slipped and called Adam ‘Robin’ — as his reading had melded in my mind with Robin Robertson’s also dark reading from earlier in the term.

Adam talked afterwards about the LRB review which lies behind the poem. You need a subscription, but the review, Bernard Porter: How did they get away with it?, discussed two books, David Anderson’s Histories of the Hanged: Britain’s Dirty War in Kenya and the End of Empire and Caroline Elkins’ Britain’s Gulag: The Brutal End of Empire in Kenya. Adam spoke about how Porter’s review, and then the two books themselves, shook the sense he had grown up with that, on the whole, and despite some shortcomings, British colonial rule had been a good thing. He had, he said, shared the ambient complacency about British rule. Porter’s review put it like this: “The accepted view of Britain’s decolonisation hitherto has been that it was done in a more dignified, enlightened and consensual way than by other countries – meaning, of course, France. It will be difficult now to argue this so glibly.”

Ambient complacency is a potent phrase, is it not?

Something else — unrelated — that Adam said after the reading also struck me: novels ‘take a group effort’. (His previous book is a novel, The Truth About These Strange Times.) They are so long — they can grow so ‘thin and wispy’ — a writer needs the collaboration of others to bring a novel into the world.

Of course, every author is different. Writing in The Observer’s Book of Books (a slim volume, given away free with the paper in May this year) about how he works as an editor (and drawing on his lengthy experience in publishing), Robin made just this point. His short piece should be read in full, but I can’t find it online. Here are some excerpts:

… an editor’s eye shouldn’t pass over a text too often for fear of losing the very objectivity the writer lacks. During a first read … I’m always watching myself for the first signs of inattention; any time that I’m stopped or distracted means there’s probably a problem in the text … If any changes do need to be made, I’d always ask the author to make them. After all, it is their book, and at this stage it’s still a thing in flux … You have to encourage the writer to see the problem, not just tell them there is one. Editing is about reading and listening attentively … I’ve always considered editing to involve quite a large degree of pastoral care.

Technorati tags: Adam Foulds, Kenya, British Empire, editing, writing, Robin Robertson, attention, reading

Net Neutrality

From Four Eyed Monsters. Via Dave Snowden, who got it from a friend on Facebook, who …

US Citizens: Save the Internet | Rock the Vote

Technorati tags: net neutrality, internet, web

Mobiles

To get a sense of how rapidly cellphones are penetrating the global marketplace, you need only to look at the sales figures. According to statistics from the market database Wireless Intelligence, it took about 20 years for the first billion mobile phones to sell worldwide. The second billion sold in four years, and the third billion sold in two. Eighty percent of the world’s population now lives within range of a cellular network, which is double the level in 2000. And figures from the International Telecommunications Union show that by the end of 2006, 68 percent of the world’s mobile subscriptions were in developing countries.

— from The New York Times article focusing on the work of Jan Chipchase (and colleagues), Can the Cellphone Help End Global Poverty?.

… have you ever stopped to wonder why? Why, regardless of culture, age, gender and increasingly context you're likely to find a mobile phone in the hand, pocket or bag of the person next to you? Put simply - the ability to communicate over distances in a personal convenient manner is universally understood and appreciated, and it's easy enough to get the basics without going to night school or taking a PhD. It certainly helps that, as a functional tool that can be used discreetly or with a flourish, the mobile phone makes an ideal vehicle for projecting one’s status and personal preferences - from the choice of brand, model, ring tone or wallpaper, or simply that (because you're connected) you've arrived.

Today over 3 billion of the world's 6.6 billion people have cellular connectivity and it is expected that another billion will be connected by 2010. But what is often overlooked is the disproportionate impact of mobile phones on different societies, which is one of the reasons why as researchers, we increasingly prefer to spend time in places like Cairo and Kampala: there is simply more to learn. These are places where for many, it's the first time they have the ability to communicate personally and conveniently over distances - without having to worry whether someone can overhear the topic of their conversation - communicate with whom they want, when they want. It makes new businesses viable and creates markets where there was none. For many it's the first time they can provide a stable fixed point of reference to the outside world - a phone number, which in turn creates a new form of identity that in turn enables everything from rudimentary banking to commerce. And not least - each new feature on or accessible through the mobile phone brings new modes of use - unencumbered by my, and probably your entrenched (and increasingly outdated) notions of entertainment, the 'right' way to capture and share experiences, the internet. If you work or study in the mobile space and you're expected to innovate, these are places that bring fresh thinking and new perspectives.

— from Jan Chipchase's article, Small Objects, Travelling Further, Faster.

The human race is crossing a line. There is now one cellphone for every two humans on Earth. ... we've passed a watershed of more than 3.3 billion active cellphones on a planet of some 6.6 billion humans in about 26 years. This is the fastest global diffusion of any technology in human history -- faster even than the polio vaccine.

"We knew this was going to happen a few years ago. And we know how it will end," says Eric Schmidt, chairman of the board and chief executive officer of Google. "It will end with 5 billion out of the 6" with cellphones. ... "Eventually there will be more cellphone users than people who read and write. I think if you get that right, then everything else becomes obvious."

"It's the technology most adapted to the essence of the human species -- sociability," says Arthur Molella, director of the Smithsonian's Lemelson Center for the Study of Invention and Innovation. "It's the ultimate tool to find each other. It's wonderful technology for being human."

— from The Washington Post, Our Cells, Ourselves.

Technorati tags: mobile, mobiles, cellphones, Jan Chipchase, communication, internet, identity

You Can't Picture This

Thousands of UK residents have signed a petition against a law preventing photography and filming in certain public places. Yet this all turned out to be a misunderstanding, and no such law was proposed. Rajesh investigates the way we view the lens and the way it views us.

via Tom.

Technorati tags: UK, filming, photography, surveillance, security, law, rights, privacy, fear

Celebrating Colin St John Wilson, architect of the British Library

Quoted by Fiona MacCarthy:

A great library is like a coral reef whose exquisite structure as it grows proliferates a living network of connectedness, and its ramification is all of a piece, like knowledge itself — the knowledge that bridges the endless curiosity of the human mind, from the first pictogram to the latest microchip.

(That coral reef thing again.) (Libraries and conversation! Michael Oakeshott!)

Technorati tags: British Library, Colin St John Wilson, libraries, knowledge, conversation, Michael Oakeshott

Comics are in everything

Welcoming Jack Schulze to St Paul's a week ago was the realisation of a long-held wish: it is, of course, an understatement to say that Jack and Matt continually surprise and delight, prompting and pushing us on to think about, to see things in new ways.

At Interesting2007 (start at the bottom of that page, with a possible date for your diary), Jack gave a fantastic (and warmly received) talk on comics. (I blogged about Interesting here.) When we cooked up the idea of Jack coming in to talk to some of our students, I really wanted comics in the frame. Anyone who knows Jack knows how comics — their design, their playfulness — inform his work as designer.

Jack's and Matt's design work is a challenge in a number of ways. For UK schools (perhaps for a long time — but certainly now) there's far too little in the curriculum that prepares you for how they think and work. I can imagine how even the diverse influences that inform their work might seem at first bewildering, even unassimilable. Since Jack spoke here, what's struck me is how all who heard him seem to have got hold of something (and haven't readily let go) and, in some cases, seem to have understood him whole and from the start — great for any speaker/teacher to feel this quick rush of comprehension at an intuitive (I'm-on-this-wavelength) level.

Some of our students may find it helpful if I pull together some links here for the different parts of Jack's talk. In order of appearance, then: 

1) Lab-Grown Meat, 2005:

 

While at the RCA, Jack took part in a brief run by Tony Dunne on the industrial future of food and lab-grown meat (a staple of the newspaper columns in 2005). This presentation comes from a two week exploration that also involved the making of replica origami food, as shown in the slides.

From Dunne’s original brief: Scientists are developing methods of growing meat in labs using animal cells. This area of research, called In Vitro-Cultured Meat Production raises all sorts of complex issues about the meaning of food, our relationship to animals (and nature), human values and behaviours, and even taboos. [...] The purpose of the project is to explore how design can be used as a medium to draw attention to the social, cultural and ethical implications of ‘cultured meat’.

2) Metal phone (Nokia Personalisation), 2005. This link takes you to all the postings about the project; you can start with Overview:

We’re working with practitioners of a number of different crafts to explore how their materials affect the mobile phone. We’re experimenting with the short-run manufacturing techniques available in small workshops and on desktops to look at, for example, the impact of Rapid Form Prototyping on phone housing.

3) Olinda, 2007:

For the past month we’ve been working on the feasibility of Olinda, a DAB digital radio prototype for the BBC (for non-UK readers: DAB is the local digital radio standard, getting traction globally). That stage is almost over now - oh and yes, it’s feasible - so now’s a good time to talk. 

Olinda puts three ideas into practice: 

• Radios can look better than the regular ‘kitchen radio’ devices. Radios can have novel interfaces that make the whole life-cycle of listening easier. At short runs, wood is more economic as plastic, so we’re using a strong bamboo ply. And forget preset buttons: Olinda monitors your listening habits so switching between two stations is the simplest possible action, with no configuration step. 
• This can be radio for the Facebook generation. Built-in wifi connects to the internet and uses a social ‘now listening’ site the BBC already have built. Now a small number of your friends are represented on the device: A light comes on, your friend is listening; press a button and you tune in to listen to the same programme. 
• If an API works to make websites adaptive, participative with the developer community, and have more appropriate interfaces, a hardware API should work just as well. Modular hardware is achievable, so the friends functionality will be its own component operating through a documented, open, hardware API running over serial.

What Olinda isn’t is a far-future concept piece or a smoke-and-mirrors prototype. There’s no hidden Mac Mini–it’s a standalone, fully operational, social, digital radio.

The hardware API link above is well worth following. I'd also recommend Jack's three posts: Drawing Olinda, Olinda interface drawings, Olinda connections. 

4) Comics

Jack blogged his Interesting talk here — and lists the comics and authors he admires most. The slides of his talk are here. The wonderful Will Burtin image (drawn from a rifle manual) can be found in Burtin vs. Ellis/Williams, where Jack discusses it in relation to one of my all-time favourite images — page 5 of Desolation Jones #1 by Warren Ellis and J H Williams III. Warren Ellis has written about this image on his blog, quoting from the original script:

Pic 1: Surreal moment: Jones looks out the passenger-side window and there’s a thick RED LINE taking the place of the road, running alongside them – a massively magnified version of the kind of line that describes roads on maps.

Pic 3: AERIAL SHOT: The car is small in this shot, and it’s driving down a red line that describes a road, and now the rest of the map, of greater LA, is visible all around it…

Jack:

Look at the way the red line connects the sequence. The line morphs between road markings, Indiana Jones style aerial map views and back to the light trails from the vehicle. Williams guides your eye through the page, setting the page’s pace and rhythm. Optically it is very clever, it deals with how your eye scans at speed and also stitches the cue into the content of the panels. …

Burtin and Williams both use letters and images, in a sequence, on the page, and expect them to be read in two different ways: First in overview and then in detail. They deal with arrangement, pace and rhythm with the same sensitivity and same language. 

Comics are in everything.

Finally, Jack spoke about the work of Shintaro Kago …

Mr. Kago is what you’d call an ero-guro artist — that is, he specializes in bizarre and oftentimes disturbing manga with a hefty amount of blood, nudity, gore and violence. Don’t let this discourage you: I think what I find most interesting is the way he challenges paneling conventions. The idea of paneling in comics is to find the most ideal way to lead the eye of the reader in order to communicate a story. Mr. Kago pushes this to the limit. In his work “Abstraction”, Mr. Kago even goes a step further by integrating his experimentation with panels into the story in itself by making it a part of the plot. Read Or Die Weblog

  ***** 

My thanks to Jack for a wonderful talk. Here are a couple of bonus leads for all who came to hear him:

Warren Ellis » A Useful Quote:

“Science fiction is a way of thinking about things.” – Frederik Pohl 

Which may seem like a small notion. But it’s possibly the best working definition of sf I’ve yet come across, insofar as it does the crucial business of inviting the body in front of you to consider sf as a tool with which to understand the contemporary world.

The Pinocchio Theory » Sex + Love With Robots:

More precisely, SF (and nonfiction futuristic speculation as well) is a tool with which to understand those aspects of the contemporary world that are unfinished, still in process, and therefore (as it were) redolent of futurity. SF and futurism are vital and necessary, because they make us stop and look at the changes going on all around us, breaking with the “rear-view-mirrorism” (as Marshall McLuhan called it) that otherwise characterizes the way we tend to look at the world. That’s why I find it indispensable to read people like Bruce Sterling, Jamais Cascio, Charles Stross, Warren Ellis, and so on. The line between science fiction and futurist speculation is an extremely thin one (and some of the people on my list, most notably Sterling, explicitly do both). Extrapolating the future is necessarily a fiction-making activity; but we can’t understand the present, or be ready for the future, unless we go beyond empirical fact and turn to fiction.

Technorati tags: Jack Schulze, Schulze & Webb, social hardware, hardware APIs, Interesting2007, Olinda, comics

Life in hypertext

My laptop needed some repair work. Limping by on a school machine during the day was made more than bearable by having the use of an iPod touch the rest of the time and access to an N810. None of these are my own. Of the three, the iPod touch is a revelation — so easy to use, the Gmail interface is (as of now) outstanding and surfing the web on it is often a joy. I don't yet know the N810 well enough to comment about it, but one thing that lets the iPod touch down is the laboriousness of entering text. I look forward to putting the N810's keyboard through its paces, but somehow I doubt it will prove as comfortable to use as the E70's thumb keyboard. The E70 is simply the best device I've ever owned for texting.

As ever when my laptop's down, I learn things. One thing I learned this time: wireless, mobile computing is getting pretty enjoyable all of a sudden. Like everyone else, I now want to try the Asus EEE. These are all devices we need to trial in school.

Meanwhile …

I  William Gibson (my bold):

One of the things I discovered while I was writing Pattern Recognition is that I now think that any contemporary novel today has a kind of Google novel aura around it, where somebody's going to google everything in the text. So people--and this happened to me with Pattern Recognition--would find my footprints so to speak: well, he got this from here, and this information is on this site.

(Sergey Brin and Lawrence Page, The Anatomy of a Large-Scale Hypertextual Web Search Engine — 1998, pdf: "Google is designed to provide higher quality search so as the Web continues to grow rapidly, information can be found easily. In order to accomplish this Google makes heavy use of hypertextual information consisting of link structure and link [anchor] text. Google also uses proximity and font information. … The analysis of link structure via PageRank allows Google to evaluate the quality of web pages. The use of link text as a description of what the link points to helps the search engine return relevant [and to some degree high quality] results. Finally, the use of proximity information helps increase relevance a great deal for many queries.")

II  Adam Greenfield:

… the book is an obsolete mediation between two different hypertext systems. For everything essential is found on the del.icio.us page of the researcher who writes it, and the reader who studies it assimilates it into his or her own blog.

Technorati tags: mobile computing, writing, knowledge, Google, del.icio.us

On not rushing to disparage the internet

Vint Cerf in last Monday's Guardian:

It is not often that a technological innovation changes fundamentally the way people communicate. In the 15th century the printing press made it possible to distribute the written word. In the 19th century, the telegraph enabled rapid point-to-point communication over long distances. Then there was the telephone. And we're still coming to terms with the social effects of radio and television.

It takes decades if not generations to fully understand the impact of such inventions. We are barely two decades into the commercial availability of the internet, but it has already changed the world. It has fostered self-expression and freed information from the constraints of physical location, opening up the world's information to people everywhere.

Shelley Powers, responding two days ago to Doris Lessing's bleak assessment of the internet's impact on culture, education and reading:

The internet is no more culpable for people 'wasting' time away than the television was, and the radio before that, and the electric light before that–on back through history marked by one invention or another. Technology does not change culture, as much as technology and culture impact, equally, on each other. …

… Amazon has grown fat on the profits of selling that which we supposedly disdain: books. Entire web sites spend most or all of their space providing reviews of, what else, books. The Gutenberg Project actually makes books available online for free. Ms. Lessing mistakes our assumptions of easy access of books for indifference to books. A very romantic thought, but not a very logical one. …

As for the banalities of this space, among the items I've read this week were [detailed summary of online reading, viewing and web-led book discoveries follows] … I would be curious to know at what point in all of this reading is the moment where I stepped over the line from spending time in banal pursuits, to spending time usefully? What makes one piece of writing more important and therefore more worthy than another?

Technorati tags: Vint Cerf, innovation, Shelley Powers, Doris Lessing, reading, culture, web